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T | o me, drawing means thought closely tinged with emotions; it is like
a powerful, mysterious way of going deep into ideas. It is the only way
I can delve into a world that I only find as I draw, with the sole aid
of pencils, quills and charcoal.
Each encounter with an image demands my full commitment to the task; every
one of my drawings is a part of my life, as if it were the truest piece
of my own self. Because of the truth embedded in such values I think of
it as universal, for true Art does not merely reflect back on the artist.
Drawing is not illustration; I feel that exchanges with other cultures
are really important for the development of our own image at the same
time as they shape up the concept of Art every artist should achieve.
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